Monday 10 February 2014

In the deep mid-winter.



I much prefer the bare bones of a winter landscape to that of summer.

It strips bare, and rids the subject matter of unnecessary clutter. I paint the structure rather than the clothing; the skeletal remains rather than the war-paint.

There's always some colour in winter, whether it be from reflected light or from dead or alive plant life. However, I still prefer to work mostly in black and white. 

I'm currently working on some larger paintings that, hopefully, will demonstrate a combination of both. 

Watch this space.

8 comments:

  1. such beautiful colour..... feel like I'm living life in black and white at the moment....thank you

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  2. That sounds good Cro, I'd love to see more of your work.

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  3. Met a bloke selling a genuine one of those down Portobello Market...

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    1. I've just been reading about him. £250 sounds a bit cheap!

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  4. Color is good as the black and white of winter has gone on too long. It has been a difficult season for us all over the US.

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  5. I must say Cro that both the farmer and I prefer to see the alder trees, of which there are many on our estate, when they are bare of leaves and their 'real' shape is revealed.

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  6. When the leaves are absent the space between the trees is as interesting as the trees themselves.
    Gill

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  7. Reminds me of the colours of Hockney. I like and works very well.

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